In my experience with the game so far, it’s an appropriate comparison. “In Lovecraftian terms, this is ‘At the Mountains of Madness’, not ‘Rats in the Walls’,” explains Sigman, the game’s design director. In their place is a stagecoach tour of the apocalypse, a road trip through burning towns and rotten farmland stalked by deranged cultists. Studio co-founders, Tyler Sigman and Chris Bourassa, have stripped out the original game’s static base of operations, the Hamlet, along with its dank, claustrophobic dungeons.
Roguelike progression and random outcomes remain, but now every excursion into this grim world is a complete journey with a decisive end, one way or another.
Now in early access on the Epic store, the sequel to Redhook Studio’s grim, turn-based Roguelike cuts the tight loop of dungeon diving and party maintenance and stretches it out flat. After years spent fine-tuning their creation, the creators of Darkest Dungeon have unravelled it.
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